Re: Franco Pratesi, new publications (since 2023)

101
Well, I am trying. Step 1 worked. Step 2 didn't. Did I place the link in the right box? I assume you didn't mean the very top, where ""htttps://archive.org" is. The next available place is just below the words "Search the history of over 866 billion web pages on the Internet", to the right of "WAYBACK MACHINE" and a little magnifying glass. I pasted the link viewtopic.php?f=11&t=345&start=100 there. Nothing happened. I clicked on the little eyeglass. Nothing happened. I waited. Nothing happened. Please explain in more detail what I should have done.

Re: Franco Pratesi, new publications (since 2023)

102
The full link name is "https:// forum.tarothistory.com/viewtopic.php?f=11&t=345&start=100"

.... WITHOUT " " and any free space ....

"Viewtopic etc." naturally doesn't work

Sorry, I wasn't careful enough ... the THF mechanism modified the link, which I naturally copied from the browser address line.
So THF reduced this as usual to "Viewtopic etc."

I cannot transmit the real link in the THF editor ,,,, that is the problem.
But you can click on the orignal THF "Viewtopic etc." and then the THF-page will open and you can capture the real link from the address line of the browser. And that is, what you need for step 2 at the wayback machine.

***********************

Added later:

Repeating the action, which I had already done yesterday, naturally will lead to the result, that the wayback machine knows already link and page.
So it's not so interesting.

https:// ++++ forum.tarothistory.com/viewtopic.php?f=11&t=345&start=120
,,,, this also has a few pictures to detect. You have to connect the https:// with the forum part
Likely this is new for the wayback machine
Huck
http://trionfi.com

Re: Franco Pratesi, new publications (since 2023)

104
I repeated your experiment and I got this link and page .....
https://web.archive.org/web/20240000000 ... &start=120

The page tells ..."Saved 1 time October 6, 2024." ....
..... and this refers to the link that you and me copied to the small box.

October 6 is 2 days ago. So this message likely refered to my own first activity, which caused the reading of the entered link and also correponding links of this entered link by the machine.

Below this message appear a number of years 2001 - 2024 and the field of 2024 is yellow with a black line. This tells, that the page was copied once to the wayback machine in 2024.

Below this appears a long calendar with 366 days. The 6th of October is marked ... this means the 6th of October 2024.

You have to lead the mouse on the marked 6th of October. A small field will pop up and tells "1 snapshot" and below this is a link "19:18:17", which likely means "19 hours, 18 minutes and 17 seconds". When you click on this link you get the relevant THF page with insecure pictures.

https://web.archive.org/web/20241006191 ... &start=120
Huck
http://trionfi.com

Re: Franco Pratesi, new publications (since 2023)

105
Your comments all pertain to what is supposed to come onto the screen when you paste the url into the wayback machine search box. My problem is that nothing happens when I paste the url into that box. I even watched the video of how to use the wayback machine - well, the first ten minutes, to make sure I was entering the url into the right box. It was no help. There must be something I haven't done that I am supposed to do, but I don't know what. For example, am I supposed to add the "Wayback Machine" extension to my browser, Firefox? I don't know. I saw that as an option, but it didn't say anywhere that I had to, and I get such messages all the time from various sites (i.e. pdf conversion sites, compresson sites), without its actually being necessary. I don't want to do something that isn't necessary. I can already use archive.org for the purpose of reading a book that has been uploaded; I just can't seem to be able to use its Wayback Machine.

Re: Franco Pratesi, new publications (since 2023)

106
Are you sure, that you really entered a full forum.tarothistory link?

Open one of the THF pages with 10 articles (there are about 3000 possible pages) .... copy the address of this page from your browser address field .... enter this link into the wayback machine box. Then press return.

EITHER it shows the report of some visits with years and days
..... OR it says , that the webpage is still in the web and asks, if you really want to enter it.

********

If this doesn't help, try other domains, for instance your own webpage, trionfi.com or others
Huck
http://trionfi.com

Re: Franco Pratesi, new publications (since 2023)

107
I finally figured out what I was doing wrong. After entering the url, you have to hit "enter". Then the calendar comes up. \That's a relief. Now I can proceed. It's always something obvious that no one thinks to mention, but which makes all the instruction and video demonstrations in the world useless without. I have been dealing recently with museum searches that ask you to click on the little magnifying glass, which sends you to the right page. Not in this case. Well, my research possibilities just increased a few orders of magnitude, notably, I can now access Tarotpedia. Unfortunately, it has 10,000 links. I can't get Tarotpedia's internal search engine to do anything.

Today I have been trying to verify whether these early tarots - Charles VI, Rothschild, Goldschmidt, V & A, Guildhall, etc. cards really are parchment. So far it is clear that the Charles VI and Rothschild are on paper. That's said on Gallica for the Charles VI and also in the recent Tarots Illuminees catalog, for the Rothschild cards. Everything in that catalog seems to be paper. The V & A just says "card" for those cards - they also have a separate category "paper" for some things, so I'm not sure what "card" means. The Goldschmidt cards are at Hoffmann's own museum, and he says again in the 1988 catalog Tarot, Tarock, Tarocchi that they are on "pergament." So I guess parchment was occasionally used, however rarely.

Re: Franco Pratesi, new publications (since 2023)

108
Below is a translation of "Firenze 1636 e 1637 - Conti di gioco del granduca Ferdinando I," at https://www.naibi.net/A/8-33-GRANDUCA.pdf, dated Sept. 30, 2024. The title is self-explanatory, but does it refer to accounts of the Grand Duke's gambling, or something else?

Comments in brackets are mostly mine, after consultation with Franco. A few are by Franco, indicated as "note by FP." Numbers by themselves on the left are the page numbers of Franco's pdf, and the footnotes are at the bottom of each page.


Florence 1636 and 1637 - Gambling accounts of Grand Duke Ferdinand II

Franco Pratesi

1. Introduction


The State Archives of Florence (ASFi) are an inexhaustible source of information on the many members of the Medici families who played prominent roles first in the Florentine Republic and finally in the Grand Duchy. Here I examine a file containing a few accounting papers of Grand Duke Ferdinand II. [note 1] Not surprisingly, given that it is kept in the Miscellanea collection, the document is part of an archival unit with fifty files on various subjects, with no obvious connections between them, other than that they all come from the Medici secretariats or the Grand Ducal offices.

In this study, the figures of interest are the “serenissimi fratelli” [most serene brothers] Medici, among whom Ferdinando and Giovan Carlo, the first and second sons of Grand Duke Cosimo II, appear explicitly here, together with their uncle Lorenzo. For them, in the years considered here, there are also many documents in the ASFi, starting with their rich correspondence. Many scholars have examined them, and books and articles have been published on the subject since the nineteenth century in quantities difficult even to imagine. As far as I understand, however, attention has always been partial.

For example, in the period in question, the importance of the Florentine court for the history of the theater is well known. So it is not surprising that recently the documents of the ASFi have also been the object of meticulous research by Florentine university researchers, but with useful contributions also from foreign scholars. I will only mention the book of which I have already used part of the title and which will also be useful to me later. [note 2] Among other things, the author continued this research by coordinating that of numerous students with entire series of master's and doctoral theses that followed one another over the course of decades at the University of Florence. A particular, related case is that of the interest of the Medici family members themselves in the history of music, a sector in which studies also abound, as one might expect since Florence had a pioneering role at the time with considerable innovations.

Another very important sector is that of fine arts. Especially Giovan Carlo was a well-known collector of statues and paintings, carefully selected. But our Medici were surrounded by the best painters of the time also for the decoration of their famous villas in the surroundings of Florence. Furthermore, the architectural aspect of the same villas must be considered, which therefore attracted the attention of other historians who sifted through the documents of the ASFi, obtaining as usual numerous publications also on this sector.

We could continue considering further aspects of court life, such as to reveal other historical interests that can be deduced from the ASFi documents. For example, hunting, which was an activity that often filled the days of the princes during their stays in the country villas. Closer to the topic of our interest are the public festivals and games, which partly continued ancient traditions, partly presented new aspects. In the squares, jousts, palios, and various shows took place; in particular, as a game, and a public show at the same time, we must remember that of football, played at the time by a small circle of nobles.

The problem is that thus far I have not been able to find any detailed study based on the same documents and correspondence, but dedicated to the private gaming activity of the period. It would seem that people no longer gambled and that the Council of Trent had managed to burn all the dice, cards, and even the boards and chess sets, in the manner that had been seen in Florence when Bernardino of Siena had passed through.

An intriguing fact is that, for example, Giovan Carlo de' Medici remained famous not only as a patron but also as a great pleasure-seeker and libertine, passionate about art, but also women, parties, and games. Several of the Medici had been known to favor gambling in all its forms, but it would seem that for Giovan Carlo the Council of Trent did not exist, and perhaps not even for the Pope, who in 1644 made him Cardinal of the Holy Roman Church.
______________________
1. ASFi, Miscellanea Medicea, Scatola 264, Fasc. 28 [Medicean Miscellany, Box 264, File 28].
2. S. Mamone, Serenissimi fratelli principi impresari [Most Serene Brothers Princes Impresarios]. Florence 2003.

2
In short, I regret that the document I am presenting here is not inserted into a known context. I also do not exclude that the same document is already well known to scholars and that some of them have already been able to comment on it more validly than I am able to here. After all, the series of archival units in which this document is inserted is part of a fund already explored countless times, and in the smallest details, by many scholars.

2. Economic and accounting considerations


Considering the nature of the document, an accounting premise may be useful for a better evaluation of its content. In Florence, accounting was kept with the traditional system of lire, soldi, denari, in which twelve denari made up a soldo and twenty soldi made up a lira. When the gold florin was introduced, the new currency was directly linked to this system, with one florin equivalent to one lira. Subsequently, the correspondence between florin and lira varied over time with a continuous appreciation of the gold coin, until in 1533, the florin of the Florentine Republic was replaced by the new gold scudo ‒ with the Medici balls replacing the lily ‒ which also had other variants or names such as zucchini and ducato. In the document under examination, the name scudo appears, which remained the most common in accounting for the following centuries.

With the introduction of the florin and then the scudo, accounting became four-digit, due to the introduction of an additional figure at the beginning. In the era of interest, the scudo was already worth seven lire, and continued to maintain this ratio for a couple of centuries. An advantage of the system could be that any figure could be divided into identical parts, without remainder, for all the divisors from one to ten. Therefore, when reading the figures in the document, one must remember that our tenths do not appear and that to move to a unit further to the left, 12 denari, 20 soldi, and 7 lire will be needed, respectively. For this reason, I believe it is useful to keep the colons separating the figures in the transcription, as can be read in the original, instead of the usual full stops [i.e. periods, in American English].

Again, to evaluate the content, it is not enough to understand the basics of accounting but it seems necessary also to have an idea of the value of the figures indicated, that is, how much a Florentine scudo was worth in those years. There will certainly be conversion tables that allow one to read directly how many euros today a gold scudo of those years was equivalent to, but up to now, I have not found any. On a private site on the Internet, [note 3] a value of the scudo equal to 162 euros is obtained, based on how much the quantity of gold present in the coin would be worth today, but at the same time it is warned [by that same author] that this method cannot be reliable.

To better understand the value of the scudo at the time, I then thought of examining another manuscript from a collection that I have been exploring for some time. [note 4] It is a series of Estimates, that is, evaluations by official appraisers of the economic value of the inheritances of the wards. There are many different cases from years close in time, but especially from real estate, both in the city and in the countryside.

As for houses, obviously, the estimated prices vary greatly depending on the size and location. On average, excluding extraordinary cases, a city house can be considered to be worth roughly 200 to 1,500 scudi, and 100 to 400 for a country house. For the countryside, the estimate is usually more varied because in addition to that of the main house, there are estimates of huts and accessory buildings and, above all, of numerous small pieces of land located nearby; therefore, instead of one figure, we read up to a dozen, with many that are limited to a few dozen scudi. In conclusion, it does not seem too risky to assume as an order of magnitude that one scudi of those years was equivalent to a thousand euros today.

However, it is clear that the method of considering real estate as a measurement of valuation is also fundamentally wrong. In fact, it seems completely impossible, for example, that, in the document under examination, something like two thousand euros of today was offered as alms to a “poor girl,” and even a little less than 44 thousand to “a poor man.” From the document under consideration, one would say that a scudo was worth roughly ten euros, or even just one. In short, the confirmation I was looking for did not confirm anything at all and leaves us undecided about the value of the scudo, even between several orders of
_________________
3. https://www.itrecipressi.it/scudo.html
4. ASFi, Magistrato dei Pupilli del Principato, Filza 2726 [Magistracy of Minors of the Principality, File 2726].

3
magnitude. In any case, the figures in the document are those; the correct equivalences can be found later.

3. The document of 1636


[Translator’s note: this is mostly a literal translation with only an occasional comment on the language, leaving the interpretation for Franco in section 6. In the first sentence below, I use the plural “Monies” for “Denari”; ordinarily, when not referring to the specific unit of Italian currency, the translation would be “Money”; but in a financial statement like this one, the English “Monies” seems more appropriate. In this transcription, the dots are in place of the spaces that appear in the original document, as the THF software does not appear to allow spaces other than those to separate words.]
......[f. 1r] Output [Uscita] and Input [Entrata] of Monies of S.A.S. [his most serene highness] of Gambling [del Gioco, literally “of the Game”]
......1636 and 1637

……[f. 2r] Input
……Of Monies [Denari] Collected of the [del] Gambling of S.A.S.
……On day 12 July 1636 [i.e., On the 12th of July 1636]
From Francesco Conti received in Cash [Contanti].................................Sc. 5615
And more Coin [Moneta] from the [dal] above .......................................Sc. -:5:15
And more from the above-said, Dobli [note 5]
……N° 1707 at L.19:13:4 each ..................... .................. ................Sc. 4795:6
And more from the above-said Monies .................................................Sc. 20:2:5
……On day 20 said [i. e., On the 20th of said month, in this case, July]
From the above-said in Cash ..........................................................Sc. 1682
……On day 10 August
From the above-said in Cash ..........................................................Sc. 5519
……On day 13 October
From Sig. Marchese Nicolini in Cash ...................................................Sc. 561:6:6:8
……On day 19 said
From Francesco Conti in Cash ............,.............................................Sc. 200
..........................................................................................-------------------
............................................................................................Sc. 14394:6:6:8

[f. 3r] Output
Of Monies of Gambling of S.A.S.
On day 19 July 1636
To S.A.S. Dobli N° 35 at L. 19:13:4 ......................................................Sc. 98:2:6:8
And more Coin ................................................................................Sc. 1:4:13:4
……On day 20 said
To the Cards of the Chamber Assistants of
…Sig. Prince Giovan Carlo...................................................................Sc. 82
And more to the Chamber-Boy of Above-said Prince.....................................Sc. 2
……On day 23 said
To Sig. Marquis Paolo del Buffalo in Cash..............................................Sc. 3232:3:6:8
And more Dobli N° 49 at L 19:13:4 each to the above-said. ......................Sc. . 137:4:13:4
……On day 26 said
To Francesco Conti in Cash for Gambling [per il Gioco]…....…......................Sc. 566
……On day First August
Consigned To S.A.S. dobli N° 1421 at L. 19:13:4
….and more Coin Sc 1:3:13:4 ...........................................................Sc. 3993:6
……On day 10 said
To the Cards of the Chamber Assistants of
….Sig. Prince above-said....................................................................Sc. 70
......On day 14 said
Paid by order of S.A.S. to Sig. March. Nicolini .........................................Sc. 100
......On day 16 said
_________________
5. More commonly dobla, a gold coin introduced in Spain and later also in several Italian states.

4
To Francesco Conti in Cash for Gambling...............................................Sc. 1664
................................................................................................ -----------
................................................................................................Sc. 9948

[f. 3v] The Sum above follows............................................................Sc. 9948

On day 23 August 1636
To Francesco Conti in Cash for Gambling..................................................Sc. 32
......On day 25 said
By order of S.A.S. be paid in Cash
....to Felice Gamberaio ......................................................................Sc. 50
By order of S.A.S. be paid to
....Remigio Cantagallina in Cash ............................................................Sc. 80
......On day 26 said
By order of S.A.S. be paid to
...Bartolomeo Piggi Pistolesi in Cash........................................................Sc. 40
......On day 30 said
....To Francesco Conti in Cash for Gambling..............................................Sc. 976
......On day 12 September
To Francesco Conti in Cash for Gambling..................................................Sc. 400
......On day 15 said
By order of S.A.S. be paid in Cash to
....Antonio Paolsanti .........................................................................Sc. 150
To Sig. Princ. Don Lorenzo in Cash .........................................................Sc. 100
To Sig. Cav. Castaldi in Cash...................................................................Sc. 40
On day 10 October
To Francesco Conti in Cash for
....Gambling at Mezzomonte.................................................................Sc. 130
And more was paid to the Account of Gambling at Artimina............................ Sc. 30:3
................................................................................................. ....-----------
..................................................................................................Sc.11976:3

[f. 4r] The Sum above follows .............................................................Sc.11976:3

......On day 12 October 1636
To Ipolito Paggio di Valligg.a of [di] S.A.S. for Account of the
....Game of Maglio [Mallet] Paid in Cash ....................................................Sc. 48:2
To above-said paid in Cash for the Game of Paloncino [Balloon]....................…...Sc. 33
......On day 17 said [in the margin: said Fra Paolo - note by FP]
By order of S.A.S. is paid in Cash to
....Sig. Captain Tiberio Squilletti ...........................................................Sc. 2000
......On day 20 said
To Sig. Cav. Castaldi paid in Cash for Gambling..............................................Sc. 33:2
......On day 23 said
By order of S.A.S. be paid in Cash to
....Filippo Bobi Arquebusier for so many Barrels
....Sold to S.A.S. .................................................................................Sc. 100
......On day 9 November
By order of S.A.S. is paid in Cash to
....Giuliano Pandolfini, for an Ordered Stone
....Picture, which shows Saint Bonaventure..................................................Sc. 160
5
......On day said
By order of the S.A.S. is made to a poor man
....for Alms ..........................................................................................Sc. 43:6:6:8
........................................................................................................-------------
.................................................................................................. ...Sc.14394:6:6.8

[At the bottom]
S.A. has understood, and it is well
Andrea Cioli 19 April 1637
There follow two written pages, one relating to the loan to Captain Tommaso di Bernardo Carbonati of Arezzo, to be repaid in monthly installments, and one relating to the account and receipt for ammunition supplied by Filippo Bobi.

4. The document of 1637


The 1637 account is shorter than the previous one (three pages instead of four), and all the figures reported are indicated only in scudi, without fractions. I reproduce the last page and transcribe everything.
Image
ASFi, Miscellanea Medicea, Scatola 264, Fasc. 28 [Medicean Miscellany, Box 264, File 28], f. 8v
(Reproduction prohibited)

6
......[f. 7r] Input
Monies [Denari] Collected from the Chamber of the Most Serene Prince
....Gio. Carlo, brought [by] messer Francesco Conti.......................................Sc. 1326
Monies collected from the Chamber of the Most Serene Prince
....D. Lorenzo brought [by] messer Breveri …...............................................Sc. 1226
......On day 13 September
Monies collected from the Chamber of the Most Serene Prince.
....D. Lorenzo brought [by] messer Cosimo Breveri ….......................................Sc. 294
......On day 26 said
Received from Sig. Benedetto Guerrini ........................................................Sc. 300
......On day 24 October
From Sig. Antonio Paolsanti Luchardesi, to Account
....which Captain Tomaso Carbonati owes of scudi
....one hundred and fifty to S.A.S. received to good Account ...............................Sc. 80
..........................................................................................................----------
.......................................................................................................Sc. 3226

[f. 8r] Output
......On day 30 July 1637
To Sig. Cav. Castaldi ................................................................................Sc. 286
......On day 2 August
To Sig. Agnolo Ricci for a Necklace ..............................................................Sc. 100
......On day 4 August
To Sig. Agnolo Ricci for tip to give to the
....Tindori(?) who performed at the Comedia ..................................................Sc. 100
......On day 8 August
To Sig. Alberto Coppola for the prints of the Comedia ........................................Sc. 100
......On day 8 said
Paid to Benedetto Conti for Gambling ............................................................Sc. 634
......On day 10 said
Paid to Fabbio for Gambling..........................................................................Sc. 24
......On day 23 said
To an Englishman who gave certain Dogs ..........................................................Sc. 50
......day 24 said
To the Nuns of Santa Clara for alms ................................................................Sc. 32
......On day 29 said
To the Chamber Assistants of Sig. Prince D. Lorenzo
....For Cards.............................................................................................Sc. 40
......On day 31 said
Paid to Tramontana Groom of S.A. for two
....Paintings by a Flemish painter ...................................................................Sc. 14
............................................................................................................ ------------
..........................................................................................................Sc. 1380


[f. 8v] The Sum above follows......................................................................Sc. 1380

......On day First September 1637
To Sister Lucrezia Malaspina for a full Jewel
....by Rubini ...............................................................................................Sc. 60
To Tramontana Groom of S. A. for three Paintings
....by a Flemish painter...................................................................................Sc. 21
......On day 5 said
7
To four grooms of S.A. and to the Second Knight ......................................................Sc. 5
......On day 11 said
To Sig. Anibale Dovara ...................................................................................Sc. 200
......On day 12 said
To a poor girl .................................................................................................Sc. 2
......On day 13 said
To the Chamber Assistant of Sig. Prince Lorenzo at the [alle] cards ...............................Sc. 10
......On day said
To messer Gio. Batt. Papaleone .........................................................................Sc. 100
......On day 14 said

7
To Sig. Bartolomeo della Stoffa ..........................................................................Sc. 300
......On day 16 said
To two footmen and Matteino Magnano ...................................................................Sc. 4
......On day 19 said
To Groom Tramontana for a Painting of Fruit .............................................................Sc. 6
......On day 21 said
Paid to Cosimo Breveri for Gambling ...................................................................Sc. 1000
......On day said
To Sig. Cav. Castaldi ..........................................................................................Sc. 26
......On day 20 October
To a poor man .................................................................................................Sc. 32
......On day 26 said
To Sig. Cav. Castaldi for Gambling ..........................................................................Sc. 48
......On day 2 December
Paid to Francesco Conti for Gambling ......................................................................Sc. 32
......................................................................................................................----------
..................................................................................................................Sc. 3226

[At the bottom - note by FP]
S.A. understood, and it is well
Andrea Cioli 31 March 1638

5. Notes on some of the personages mentioned

Some of the personages in the lists of game incomes and expenditures are found in the book cited by Sara Mamone, and I indicate in square brackets the number of the extract in which they appear; for a few others, either it is well-known information, or I indicate the source. It seems clear that I did not consider it necessary to delve into this aspect of the research.
  • Cantagallina, Remigio. Florentine artist known especially as an engraver. [note 6]
  • Castaldi, knight. He was made country horse-master of the Grand Duke in 1633 [87].
  • Cioli, Andrea. “Signor Bali Cioli” 1638 [122]. (He is also present in Galileo's correspondence.)
  • Conti, Francesco. “Signor Guardaroba Francesco Conti” 1658. Perhaps in the years of interest, he was not yet the Medici wardrobe keeper, but he certainly had official duties at court [599 and 605].
  • Del Buffalo, Paolo, Marquis. In a small group, he learns to joust together with the princes 1630 [25]; intermediary from Paris with Cardinal Mazarin who asks for the castrato Atto for four or six months 1644 [216-17 and 220]; from Rome he intervenes between Giovan Carlo and a group of comedians 1650 [318].
  • Della Stoffa, Bartolomeo. Waiter among the provisions of the court of Giovan Carlo [2].
  • Dovara, Annibale. Present in the list of knights proposed for the battle in the 1637 festival on horse [103].
  • Gamberai, Felice. Florentine intaglio-maker known for the ceiling of the Badia. [note 7]
___________________
6. S. Ticozzi, Dizionario degli architetti [Dictionary of Architects]. Milan 1830, p. 270.
7. G. B. Uccelli, Della Badia fiorentina [Of the Florentine Abbey]. Florence 1858, p. 70.


8
  • Guerrini, Benedetto. Secretary of the Chamber of Ferdinando II. He writes from Pisa [204].
  • Medici, Ferdinando II (1610-1670). Firstborn; after the premature death of his father in 1621 the grand duchy had been governed until 1628 by the two regents, his mother Maria Maddalena of Habsburg and his paternal grandmother Cristina di Lorena. Passionate about art and science.
  • Medici, Giovan Carlo (1611-1663). Second son. First military then ecclesiastical career. Exceptional collector of works of art.
  • Medici, Lorenzo (1599-1648). Uncle of the most serene brothers. His frequentation [of them] partly balanced the severe education of his nephews by their foreign mother and grandmother.
  • Niccolini, Filippo, Marquis. Chambermaster ‒ first on the list of those provisioned at the court of Giovan Carlo [1, 2, and many others].
  • Piggi, Bartolomeo. Painter, from Pistoia he asks for a portrait to copy 1644 [888].
  • Squilletti, Tiberio (1595-1677) “from Catanzaro, banished (known as “Fra Paolo”) in the Papal States, 1637 took refuge in Florence and was protected by the Grand.; but then he fell into disgrace and was arrested in 1644 and remained in prison until his death.” [note 8]

6. Discussion and conclusions


The two balance sheets copied in full raise more questions than they solve. Let us examine the main ones, in a way that cannot be entirely systematic. Scrolling through the listed items, one immediately notices that not all of them concern gambling [il gioco, literally, “the game”]. Some are evidently connected with the artistic interests of the “serenissimi fratelli” [most serene brothers], among which one finds several works by Flemish painters who were now very well-known and appreciated in Florence. The appearance of the “pietre commesse” [ordered stones] in the sector is not surprising, a typical Florentine artistic production that has continued to the present day (see Figure) and is well represented historically by the opificio delle Pietre Dure [Factory of Hard Stones].
Image
Florence, ca. 1975. Simple example of “ordered stones.” _____________________
8. G. Garollo, Dizionario biografico universale [Universal Biographical Dictionary]. Milan 1907, p. 1831.

9
The list also reflects the passion for hunting, with the purchase of ammunition for arquebuses; among other things, the dates that can be read are from late summer and autumn, often dedicated to holidays in the countryside and hunting. Evidently, the money available could be used for accessory activities, not only strictly for gambling. There are also outflows of money, rather unexpected, for the purchase of jewels and even dogs; furthermore, there were also donations for alms and tips; it is clear that the income from gambling activities allowed for the range of spending opportunities to be extended.

However, the entire file is indicated as reserved for gambling, and therefore this will be the activity to be considered with greater attention. We can start with the context of the documentation. It is clearly about incomes and expenditures that are reported to the Grand Duke at the end of the year (a few days later in fact) under the title of Denari di S.A.S. del Gioco [Monies of S.A.S. of Gambling]. The games of the mallet and the balloon are mentioned, which are presumed to have been played outdoors, but they would seem to be secondary cases compared to the card games, for which only some expenses for the playing cards appear explicitly.

From the title, one might assume that the Grand Duke assigns a member of the court the task of keeping accounts of the income and expenditure relating to his gambling activity. Personally, this is exactly what I planned to examine, imagining that I would find information on who played with the Grand Duke, when, where, at what game, at what stakes.

Here, however, one can glimpse some sort of organization, such that the Grand Duke appears explicitly only to check that the budget of the income and expenditure of gambling activity is in balance. In fact, the two annual budgets end without debts or credits, but this happens in 1636 because a budget surplus of almost 44 scudi is finally allocated to alms.

A minimum of information is obtained on "where" gambling is done. There are only two words, Mezzomonte and Artimina, but they are enough to give us a glimpse of the gambling environment. In those years, the greatest commitment of Giovan Carlo was dedicated to the Villa di Mezzomonte; he had purchased it in 1429 and was taking care of its architectural and decorative renovation, with the best artists called for work on the case; among other things, his collection of 250 paintings was kept right there. In 1644, the cardinal left this good retreat of his and sold the villa to Bartolomeo Corsini, of the noble family which still owns it. [note 9]

From what we know about Giovan Carlo, we cannot be surprised to find him present in these accounts of gambling activities: at the time he had not even become a cardinal! (Although it seems that even later, under the different habit, he maintained his habits.) On the other hand, Artimina could only have been the Medici Villa Ferdinanda in the municipality of Carmignano, near Artimino, a country village that had been of considerable importance in the Etruscan era; today this villa too is private property and is not part of the series of Medici Villas still sought after as important tourist destinations. [note 10]

So, from those two words we can get another decisive piece of information: who could play in those two environments? Certainly not the peasants from the neighboring houses! It is obvious that the “serenissimi fratelli” had free access to these villas, but it is unimaginable that these reports of income and expenditure from games referred to gambling within the family. We must therefore assume that parties were held with a notable quantity of noble families invited to perhaps also attend some plays and certainly to gamble. Up to this point, the scene can be easily imagined, despite all the prohibitions and the background remaining from the Council of Trent.

That the upper-class Florentines ‒ and it would seem, especially the ladies ‒ had a strong interest in gambling in those years is also indicated in the book by Sara Mamone already cited: the selection of documents is made only on the basis of shows and theatre, but some references are casually inserted also for gambling. Here is what we read for 1639 on pp. 76-77, in one of the various examples in which the selected news on the activity of various parties and recitals is also mixed with some on gambling.
_______________
9. https://it.wikipedia.org/wiki/Villa_Cor ... Mezzomonte
10. https://it.wikipedia.org/wiki/Villa_medicea_di_Artimino


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As for news, on Wednesday evening at the house of Sig. Cavalieri dal Borgo there was a dance party that lasted until five o'clock, and therefore there were not many ladies in the small room; and that same evening at the house of Sig. Cavalier Bagherini there was a gambling party, which was the reason that some of the beauties did not go to that ball. … This evening at the house of Sig. Francesco Bartolini there is a gambling party. …The party that was held at the house of Sig. Bartolino was with three small tables of ladies; there was another at the house of Sig. Cavalier Amerigo da Verrazzano, where Signora Marzoppina was with some others.
The problem that comes to my mind, however, is that of the “gambling” figures recorded in the document in question. Let us imagine that in the villas there were many tables of games with high stakes, in accordance with the social status of the guests, who could not have played with coins. One can easily think then of large sums of money passing from one pocket to another. Good. But how did they manage to be directed instead ‒ or also - towards the pockets of the "serenissimi fratelli"?

The only possibility I can see to try to understand the recorded figures is that the game was indeed a card game, but of the type of a banker's game, like bassetta or similar. With such a hypothesis, one could understand both the enthusiasm of many Florentine nobles, who on these occasions had the possibility of gambling with impunity and the income from the game, which in fact would correspond mainly to the banker's earnings, as regularly occurs in all similar cases. In confirmation, one can note that the personages who appear as "participants" in the gambling [il gioco] are in reality the same ones who are found as collectors of both the incomes and the expenditures deriving from the operation of the game: it happens in fact that they are regularly members in various capacities of the court of one or other of the Medici brothers (or of the uncle, who notoriously ran several public entertainment activities with them.

It is possible that a different and more convincing explanation for these gambling-related figures will be found later (or even that one has already been found, without my knowledge). It is also true that just the idea of suggesting the “Serenissimi fratelli” behaving like true impresarios would have seemed absurd until a few years ago. Recent research by Sara Mamone and her students has, however, underlined precisely this aspect for the theatre and shows, as is also indicated in the richly documented book cited at the beginning ‒ Serenissimi fratelli principi impresari [Most serene brothers princes impresarios], an explanatory title! ‒ which, precisely for this characteristic and for its related national and international relations, signals its modern character, in stark contrast with the common description of the environment of the Medici court in continuous decline, now isolated from Italian and foreign centers with a more advanced culture.

Florence, 09.30.2024
Last edited by mikeh on 11 Oct 2024, 10:18, edited 1 time in total.

Re: Franco Pratesi, new publications (since 2023)

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Here now is "1785 e 1786 - Vendita di carte da gioco in Toscana," at https://www.naibi.net/A/8-34-DOGANA.pdf, dated Oct. 2, 2024. Comments in brackets are mine, for clarification. Numbers by themselves in the left margin are the page numbers of Franco's pdf, with footnotes at the bottom of these pages.


1785 and 1786 - Sale of playing cards in Tuscany

Frank Pratesi

1. Introduction

The Miscellanea medicea collection of the State Archives of Florence (ASFi) contains, as can be deduced from its very name, a lot of scattered material, collected without rigorous ordering criteria from what was found in the archives of many government offices of Florence and Medici secretariats, without being included in the "institutional" collections such as the Mediceo del Principato and others of that kind.

In this jumble of disparate documentation, the archival unit under examination would seem to contain eleven files of documents dedicated to similar topics, as can be deduced from the title, Maremma e [and] Val di Chiana, places where the Grand Dukes worked for a long time to drain the marshes, fight malaria, and make the land usable for agriculture. Despite this, the miscellaneous nature of the collection is evident here, too: in particular, among these files, we find an extraneous one, which has nothing in common either with the title of the unit or with the other documents.

It happens that this extraneousness to the general subject is useful for us, interested in the history of playing cards in Tuscany. The file in question contains, in fact, some accounts of the Royal Income, and in particular, some connected precisely with the Company of the tax stamp and the sale of playing cards. [note 1]

In this study the main data contained in the file will be indicated and discussed, but it seems necessary to preliminarily define the limits of this information. First of all, it must be noted that the documented period of time is very short, limited to the two years 1785 and 1786.

Another serious limitation is that this data concerns points of sale scattered throughout Tuscany. Naturally, the fact that the documentation for the tax stamp and sales within the city of Florence is absent means that what we encounter on the subject must therefore be considered in its partial aspect, that is, referred to the outskirts of the Grand Duchy of Tuscany, excluding the main part, the capital, the city center where all the production of playing cards was located and the largest part of their sale and use.

Within the limits mentioned, the documentation studied integrates what we already know from the Florentine offices and provides us with a general picture of the different distribution of playing cards throughout the Grand Ducal territory.

2. Account of 1785
General Administration
Second Department
Playing Cards Tax Stamp
Account of the Administration of Playing Cards, and of the sale of said Cards, aggregated to the Company, drawn up on the book kept for the aforementioned Administration for the year 1785

Entries of Cards
Single Art.
Cards Purchased

One thousand three hundred twenty-seven Dozens and ten packs of various Cards purchased in the year 1785 are put in Input, both from the year 1784 and from the Cardmakers of Florence in the current year 1785, as can be seen from the Book of said administration, correlative to the following detail, namely.
___________________
1. ASFi, Miscellanea medicea, Scatola 277 “Maremma e Val di Chiana”. Fasc. N. 7. RR. Rendite: bilanci relativi alle gabelle su tabacco, carta bollata, carte da gioco, gabella dei contratti, farine, sigillo della carne, cc.1-252 [II metà sec. XVIII] [Medici Miscellany, Box 277, “Maremma and Val di Chiana.” File No. 7. RR. Income: balance sheets relating to taxes on tobacco, stamped paper, playing cards, tax on contracts, flour, seal on meats, pp.1-252 {2nd half of the 18th century}].


2

Image


ASFi, Miscellanea medicea, 277 Fasc. No. 7, f. 130r (Reproduction prohibited)


(Note that the figures recorded below with decimals are not in decimals but refer to the decks, that is, twelfths of a dozen.)
Image
Total [Decks of] Cards Entered……………………………….……...Dozens 1327.10

Cards Released
First Art.
[For the sake of keyword searches on this Forum, which does not register words in images, I am listing here what the above table includes: Various French-style small cards [Cartine alla francese diverse]; Local cards: Ordinary of swords and batons, Picchetto, Low Cards [Carte Basse], Minchiate, since the year 1784 and from the Cardmakers in the year 1785, in dozens of decks]

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Cards sold

There is put in Output the amount of Seven Hundred and Eighty-Six Dozens and six packs of various Cards sold throughout the year 1785 in the various places designated for sale, as can be seen from the Accounts of the same, correlative to the following Detail, namely.
Image
[The above table includes: Various small cards in French style; Local cards, Picchetto, Low Cards, Minchiate, in dozens of decks]


Art. II
Remaining Cards up to December 1785
The quantity of Five Hundred and Forty-One Dozens and Four Packs found in existence on December 31, 1785, both in the General Warehouse and in the Sale Places, as can be seen from the Demonstration made in the book Debtors and Creditors at 227, correlative to the following Detail, namely.
Image
The above quantities amount to the first total of……………...Dozens 541.4

[The above table includes: Various French-style small cards; Local cards: Ordinary of swords and batons, Picchetto, Low Cards, Minchiate. In the general warehouse and at the places of sale, in dozens.]
There follows a Recapitulation of the Output, which I will not transcribe because no further data appears.
Result
Card Input rises to……………………………………………………….1327.10
The output amounts to …………………………………………………786.6
The stocks as of December 1785 are……………………….……541.4
…………………………………………………………………………… -----------------
……………………………………………….……………………………………1327.10
……………………………………………………………….………………It matches.

3. Account of 1786

General Administration
Second Department
Playing Cards Tax Stamp
Account of the Administration of the Stamp Duty of Playing Cards and of the sale of said Cards, aggregated to the Company, drawn up in the book kept for the aforementioned Administration for the year 1786.

Card Input
Single Art.
Cards Purchased

The amount of one thousand three hundred and eighteen Dozens and four packs of various cards purchased in the year 1786, both from the year 1785 and from the cardmakers of Florence in the current year 1786, is entered into Input, as can be seen from the Book of said administration correlating to the following detail, namely.
4

Image


ASFi, Miscellanea medicea, 277 Fasc. No. 7, f. 135r. Detail (Reproduction prohibited)


Image


Total Card Input……………………………….………Dozens 1318.4

[The above table includes the following: Various small cards In the French style, Local cards, Ordinary of swords and batons, Of Picchetto, Low Cards, Minchiate, Since the year 1785, From the Cardmakers in 1786.]

Card Output
Art. First
Cards sold

Five Hundred and Sixty-One Dozens and eight packs of various Cards were placed in Output as sold throughout the year 1786 in the various Places designated for sale, as can be seen from the Accounts of the same, correlative to the following Detail, namely.
Image
[The above table includes the following: French Cards, Complete, Small Cards; Local cards, Picchetto Cards, Low Cards, Minchiate, in Dozens.]

Art. II
Remaining Cards up to December 1786
The quantity of Seven Hundred and Fifty-Six Dozens and Eight Packs found in existence on December 31, 1786, both in the General Warehouse and in the Sale Places, as can be seen from the Demonstration made in the book Debits and Credits at 258, correlative to the following Detail, namely.
5
Image
The above quantities amount to the first total of……….…….Dozens 756.8
[The above table includes the following: Various small Cards in the French style; Local cards: Ordinary of swords and batons, Of Picchetto, Low Cards, Minchiate, In the general Warehouse, At the Places of sale.]
There follows a Recapitulation of the Output, which I will not transcribe because no further data appears.
Result
Card Input rises to……………………………………………………….1318.4
The output amounts to ……………………………..…………………561.8
The stocks as of December 1786 are……………………….……756.8
……………………………………………………………………………-------------------
………………………………………………………………………………………1318.4
………………………………………………………………………………It matches.

4. Other information


Most of the accounts concern amounts of money coming in and going out. Of these I have copied only a few that seemed to me of greater interest. The following table shows the income for the sale of playing cards in the various sales points of Tuscany.

Image
[The following are included in the above table: 1785, 1786 [Income] produced from Card Sales in: Arezzo, Bientina, Cortona, Firenzuola, Galeata, Livorno, Marradi, Modigliana, Monte Pulciano {Montepulciano], Palazzuolo, Pescia, Pisa, Pistoia, Pontedera, Poppi, Rocca S. Casciano, S. Sepolcro, S. Pietro in Bagno, Sestina, Volterra; Department of Siena: Siena, Casole, Asciano, Chiusdino, Gerfalco, Montalcino, Sarteano, Sinalunga.]

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The figures are in lire (using the fractions in soldi and denari of the account to approximate the last figure). The dash corresponds to the presence of the sales point without indication of income, the letter x to the absence of the point in the list. The Department of Siena had a separate administration, and only Montalcino appears in the 1786 list.

To get an idea of the variation in the previous years of the company's balance sheet, always positive, I copy the relevant table, with the figures in lire, also approximating the fractions here.

Image
[The above table covers: Demonstration of the surpluses [in lire] of the Playing Cards Tax Stamp Company, from the year 1769 to the whole year 1785, belonging to the General Depository. Average value about 8780.]
Apart from a clear minimum around the year 1774, a general upward trend can be noted with a more marked increase in recent years.
Unfortunately, there is no record of the origin of the playing cards; all Florentine card makers are involved, to varying degrees. Some information can be obtained from Chapter VI of the General Budget, in lire (approximating the fractions).
Image
[The above two tables include the following: Balance up to December 1785, Debits/Credits: Giacomo Zoija, Zanobi Rossi, Pietro Molinelli, Emanuele Sacerdote, Gaetano Cambiagi, Domenico Falugi.
Balance up to December 1786, Debits/Credits: Lorenzo Tanini, Pietro Molinelli, Emanuele Sacerdote, Domenico Falugi, Giacomo Zoija.]

7
For comparison, it may be useful to take from a previous publication [note 2] the two tables that report the dozens of cards produced by Florentine cardmakers, with the warning that the data for 1785 do not correspond to the entire year.
Image
[The above tables include the following: 1785, Picchetto, Low cards, Small, Minchiate: Lorenzo Tanini, Pietro Molinelli, Domenico Falugi, Giocomo Zoija]; 372 French + 360 Complete. ** Cucu Cards.
1786, Picchetto, Low cards, Small, Minchiate: Lorenzo Tanini, Pietro Molinelli, Domenico Falugi, Giocomo Antonio Zoja. * 336 Small + 336 Quadriglio + 144 Complete. ** 12 Cucu.]
It should always be remembered that in these documents of the Miscellanea we find no trace of the decks sold in Florence, nor of those exported. As an order of magnitude, we can say that here we follow the fate of about a tenth of all the cards produced in the year by Florentine cardmakers.

5. Comments and conclusion

The information that can be gleaned from the accounts under examination is rather limited, despite its quantitative nature. The general context was already known from previous research. Something more precise is obtained here on the distribution of playing cards among the various Tuscan locations and among the various types of cards produced at the time.

The total indicated for the sale of cards indicates a decline in the two years under examination, as is evident from the frequent decrease in cards sold at the various points of sale. However, in addition to the two documented years, there is a table that reports the result of the annual balance sheets of the last 17 years, which indicates how the grand ducal management of the sale of playing cards produced profits that increased on average over time.

On the other hand, it is clear that the types of cards used outside the capital are very limited: the traditional deck of 40 low cards predominates by a lot, while the minchiate deck endures, even if for a fraction of just over a tenth, as documented by other offices for nearby years. The typical places where minchiate was played were academies and city “conversations,” possibly even barber shops, while in country taverns play was exclusively with low cards, or almost so. However, the data reported includes cities such as Pisa, Livorno and Siena, which could contribute more to the sale of minchiate decks, so much so that the overall number of sales is still more than satisfactory. We know, moreover, that the collapse of interest in the game of minchiate occurred only a century after this data.

Florence, 02.10.2024
___________________
2. F. Pratesi, Playing-Card Production in Florence. Tricase 2018; http://trionfi.com/evx-playing-card-pro ... rand-duchy.

Re: Franco Pratesi, new publications (since 2023)

110
This is a translation of Franco's "Noto 1737 – geografia con tarocchi e altri gioch," dated Oct. 20, 2024, at https://naibi.net/A/8-35-NOTO1737.pdf, done with Franco's help.

Here Franco reports on a publication of 1737 Sicily proposing card and board games of a new type in the category of educational card games. Other decks - we may think of the one in Bologna of 1725 - simply put information on the cards, as though students would actually read it while playing, as opposed to focusing on the game. Other strategies, the authors say, simply leave students "nauseated to the point of vomiting." They are perhaps thinking of ones that requires reading what is on the card at every play, such as the oneFranco recounted at viewtopic.php?p=26518#p26518. In the games now proposed, the learning, in bite-sized portions, is part of succeeding at the game. Meanwhile, since the decks are consciously modeled on the existing decks of the time, including Sicilian tarocchi, we get information about their composition at that time and place.

Comments in brackets are mine, after consultation with Franco, for clarification purposes. Numbers by themselves in the left margins are page numbers of Franco's online pdf.


Noto 1737 – geography with tarocchi and other games

Frank Pratesi

1. Introduction

Michael Dummett made a decisive contribution, as usual, to the history of tarocchi in Sicily; [note 1] useful up-to-date information can also be obtained from a recent exhibition. [note 2] The oldest information dates back to the seventeenth century, but is based on rather uncertain sources. The first reliable testimony seems to be from 1736. In this study I present a book from the following year in which, among other things, the Sicilian tarocchi is presented in a form designed for the education of students.

The setting is that of the Accademia dei Trasformati [Academy of the Transformed] of Noto, in the province of Syracuse, active with literary and philosophical discussions from the second half of the seventeenth century until 1872. The seat of the academy was in the Convent of San Domenico and the building, very central, is still used, [now] as the seat of the Matteo Raeli Institute of Higher Education.

The book I propose to illustrate is quite rare, and seems to have escaped the research of experts on the history of tarocchi and other typical Sicilian games. I will focus more on the two versions of newly invented playing cards.

2. The book [note 3]

The book in question is listed in the OPAC SBN catalogue; [note 4] there would seem to be four copies: in Bologna, Milan, Rome and Trapani; however, in the catalogue of the Biblioteca Regionale Siciliana appear four other copies, two in Palermo and two in Messina. I have not found any indications of copies abroad. In short, a rare book, but not extremely rare.

We can begin the examination with the title: Study in league with play to introduce less eager young people to the sciences, a thought outlined in geography, and indicated in other subjects, by two academicians of the Trasformati of the city of Noto, approved and published by the priest d. [don=father] Giuseppe Serrentino, bidello [usually meaning "janitor"] of the same academy . . . It cannot be said that it is a concise title, and yet it already presents some problems in reading.

The author claims to present the results of an activity of the academy of which he was only a careful observer and annotator. And in fact, starting from the well-known Bibliografia siciliana,[note 5] it seems that the one indicated as author is, of the two academy protagonists, the one who was notoriously devoted to geography, and this attribution is again maintained in the OPAC SBN catalogue: Authors: Francesco Landolina Rao (Author), Giuseppe Serrentino; Trento, Simone (Publisher).

It may also seem strange that the priest who published the book describes himself as the bidello [janitor, usually] of the academy, almost boasting about the position, but for that particular meaning of the term the Grande Dizionario della Lingua Italiana helps us, referring us to the Notes to Malmantile.
2-49: Bidello, donzello [attendant] or servant of a university or academy. And this name of Bidello probably comes from Betulla [Birch], which is that tree from which the rods for the fasces [bundles] were made, which in ancient times the lictors carried before the Magistrates, and from this carrying of the bundles of birch rods then came the name of bidello for such servants of the University, who act as lictors, ...they still carry a large silver
___________________
1. M. Dummett, The Game of Tarot, London 1980; M. Dummett, Il Mondo e l’angelo, Naples 1993; M. Dummett, J. McLeod, A History of Games Played with the Tarot Pack, Lewiston 2004.
2. S. Bonaccorsi, E. Maggio, Il Mondo in Mano, Catania 2019.
3. F. Landolina Rao, G. Serrentino, Lo studio in lega col giuoco . . . , Catania 1737. https://www.google.it/books/edition/Lo_ ... frontcover
4. https://opac.sbn.it/it/web/opacsbn/risu ... 9436872436
5. G.M. Mira, Bibliografia siciliana, Vol. 1, Palermo 1875. On p. 502.


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mace, signifying the ancient fasces, when they go to public functions, before the College of Doctors.
Image


Inside, we initially find five unnumbered pages with the dedication To Sig. D. [Don, now an honorific] Michele Bonanno e Landolina of the Princes of Linguagrossa [a territory on the north side of Mt. Etna, built on a “great tongue” of lava], dated Noto 12 August 1737, followed by four pages with the significant introduction To the Readers, which insists in particular on a delicate point: it was not possible to insert in the book the appropriate plates with the figures of the proposed cards. It would have been only six large plates reproduced from copper engravings, and a couple of decks of playing cards of new design, but from Noto it was possible to find the typography in Catania only to print the book, and not, however, the desired engravings.

In this regard, on the second page of this part we read, among other things, the following.
You will raise a difficulty with me, kind Readers: that with this little book, which I have taken care to publish, there should be attached six geographical Tables, drawn according
3
to the intention of the two Academicians. I confess that you have every right to do so; nor can I otherwise satisfy you, than by imploring your kindness to excuse me, and in the meantime, so as not to render useless a Work of such value, to give you the way to obtain them. Whoever is born in a country restricted and besieged by misfortunes, if he does not have the convenience of leaving it, must be considered a prisoner, and must daily sacrifice many desires to the God of malignant Fortune. As much as ways have been considered and attempted, it has not been possible to find the way to engrave the plates, to make the Tables sought by you to run commercially; and let this be enough to excuse the defect. However, even if a way were found, or if there were some generous Prince who would take charge of it for the public good, I would undertake to obtain the exact drawings, according to the will of the Authors.
Let us hope that this is only the “restrictiveness” of three centuries ago! The Tables in question are six: Europe in general; Europe in provinces; Germany in particular; Italy in particular; two Coasts.

Following is a page dedicated To the Critics, which highlights the pioneering nature of the work, which implies the possibility of future improvements.

After these premises, the numbered pages begin with the six-page Introduction, which explains how the member Volgare of the Accademia dei Trasformati of Noto had the idea of using the habit of the students to play cards to introduce special cards with teachings in various subjects and in particular geography. The idea was then realized with the help of another academy member, the Taciturn, "as well informed in Geography." In the book, there are then more dialogs between the two members, within the usual discussions of the academy. The specific treatment then develops with various "lectures," of which I maintain the order.

First Lecture. Preparations for the assumption. p. 7
Once it is decided to dedicate oneself to geography, there are many questions to discuss about how to divide Europe so that each card then reasonably represents one of its parts. First, twenty Kingdoms and sixteen Seas are identified, postponing Islands and Rivers. The Lecture ends with Description of the instrument for transforming figures, a lesson on the pantograph [instrument for copying a drawing or plan to a different scale] and its use.

II. Lecture. Various preliminary speeches; and the game of Winds is proposed. p. 13
In the initial discussion, the fact that similar works had already been produced is commented on, but it is specified that only in the present case does one go beyond a simple exposition of scholastic notions in the form of images, presenting the figures as objects to be used in various types of pastimes.
If you allow me to say something about your Idea, I could well remind you that teaching Geography, and even History by way of a game, was invented before you by Cardinal Mazarin, and it is not long since I saw certain French sheets, which by way of dice or cards teach military fortification, Chronology, Geometry, and even the Art of making love. I do not therefore want to push you away from your thought, which either by new material or by new method will bring some benefit, more than those after all very beautiful inventions have brought. (p. 15)
To put it briefly: they do nothing but present a book split up into sheets, in order to give drink to those who delight in swallowing it sip by sip; but with those who are nauseated to the point of vomiting, they bring no profit. There they play with numbers, and those who have little thought of learning neglect the written words [the text on the card]. Our Idea, if, after all, it succeeds according to our wishes, is to make it so that Children fond of playing games, coming with no other thought but to pass the time, find themselves in some way roughly informed without realizing it, just like someone sleeping or reading on a large ship, who when he least thinks of it finds himself at the mouth of the port. (p. 16)
4
The proposed game of winds consists of drawing a circle with 32 houses and an arrow placed in the center to be spun with various prizes (in hazelnuts), depending on the house the arrow reaches. Alternatively, a scheme similar to that of morris could be used for this purpose. (In short, these are preliminary games, while they prepare to fill in the map of Europe with its subdivisions.)

III Lecture. Europe in Kingdoms alone.
p. 20
A list of Kingdoms numbered from 1 to 36 and two with the number 0 is compiled, together with a list of Seas numbered from 1 to 16. The game associated with the geographical map is played by rolling two dice, based on the product of the two points obtained.

IV. Lecture. The second part of the Game for another Higher Class follows.
p. 26
Playing cards are introduced, corresponding to 20 seas and 22 rivers, and are distributed by allocating prizes in lupin beans. In particular, the rivers take a lupin bean from the kingdom in which they rise and pay one to the sea in which they flow. Finally, it is recognized that the system of cards devised can be considered equivalent to a common deck of playing cards, and, thanks in particular to the inclusion of the 22 rivers, also to a deck of tarocchi cards. The four suits of cups, batons, swords and coins can be indicated with four constellations, namely Cygnus [the Swan], Lyra [the Lyre], Ursa [the Bear], and Corona [the Crown].

The result, on how the tarocchi deck is achieved, is shown in the following table, taken from the book.

Image
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Image

Once the tarocchi deck has been formed, one might expect that the proposal would be to play a traditional tarocchi game, with the sole educational advantage of learning geography while playing, but the author instead continues to propose games of winning and losing lupin beans, depending on proximity or not between territories, or similar cases. In short, one can see that the deck of the new game proposed is indeed equivalent to that of the tarocchi, but is used in a completely different way, such as to make one learn geography information still better while playing.

V. Lecture. Europe divided into Provinces, for the Young People already introduced.
p. 42
As a step to an advanced stage, it is proposed to include provinces in the game, with each card marked with three names, that of the capital, the province and the kingdom. This leads to a hundred cards from which decks are formed with rules for winning and losing depending on the cards drawn.

VI. Lecture. The same Game continues and then is reduced to Cards. p. 51
Here we see a further step: the kingdoms are divided into provinces and the borders between the kingdoms are taken into account in a more detailed manner, so that the number of cards exceeds one hundred. Then the game proposed in this case becomes one analogous to Stucci [described later], a type of lotto or lottery.

VII. Lecture. Germany divided into Provinces for the Young Introduced.
p. 68
Once the mechanism is understood, more advanced variants can be proposed, with further details in the notions of geography to be learned by playing. For Germany, the division into circoli [literally, “circles,” but meaning what Germans now call Länder, “lands”] and electorates presents some difficulty, which is discussed and overcome. The result in a map with 14 "genera" with six provinces each; as before, in parallel with the game on the geographical map table, it is proposed, without going into details, to obtain a deck of 66 cards for other games, more similar to traditional card games.

VIII. Lecture, Italy in Provinces. p. 81
The division of Italy into provinces results in a table divided into four parts (Church, Naples, Venice, Lombardy) and each divided into twelve provinces, therefore 48 in total.

IX. Lecture. Italy reduced to Cards, and we digress to other games
. p. 87

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From the map of Italy one can easily move on to the corresponding deck of cards, which also in this case becomes similar to a traditional one. The four parts thus correspond to the four suits of cards, but with the new names of Church [i.e. Papal State], Naples, Venice and Lombardy. Furthermore, the deck of cards is extended to include the eight cards with Rivers, to be added to form the tarocchi deck.

Image

A discussion is also opened on the criterion to be adopted for later adding the twenty-two upper cards of the Tarocchi, concluding on the need to provide those essential notions of chronology.

Digression by the fellowship [the academicians]. In which various other very useful Exercises are inserted.
p. 99
While preparing the set of twenty-two tarocchi cards, a new discussion opens on other topics. The first is the teaching of calculation, or the abacus, as they used to say. Both mnemonic and instrumental devices are proposed to help with multiplications, including a disk with two numbered circles that provide the product by rotating one with respect to the other. The second is how to teach children to ride using the “movable wooden horse on pulleys” or a modified swing.

The Game of Tarocchi Resumes with the legitimate and usurping Rulers of Italy.
p. 106
The twenty-two cards of the tarocchi were meant to help learn chronology, and the result is shown in the table below.

Image

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In addition to the suggestion of the little picture inserted to keep the attention alive, each card contains a short list, in order of date, of characters or events that fall within the era in question, as in the examples in the following figure.

Image

X. Lecture. Sailing along the Mediterranean Sea: First by rowing, then by sail.
p. 114
So we come to the latest invention, a new game that is based on rolling dice to advance along one of two paths in a way that, as the author admits, resembles the game of Goose. As usual, the discipline involved is geography and two maps are used as boards on which to advance. Naturally, there are long lists of correspondences between rolls and movements, including stops and going back.

The first board contains maritime provinces and rivers and goes up to number 85 Kingdom of Fez and Morocco ‒ as in Goose, you go back by the excess points if the throw exceeds the goal. You proceed by rolling a single die or, as in Goose, two dice using the sum of the points.

The second board is more extensive and detailed, also containing capes and gulfs. In this case, two dice are rolled and the product of the two points is used. Here we arrive at 129 Tangier. (Curiously, the book digitized by the library of Rome also makes us play the game of Goose, because to read the related group of pages [fascicolo = 8 or 16 pages printed on a larger sheet, then folded and bound], we have to go back to p. 24.)

Conclusion of the Work p. 125
It is recommended never to move on to the next games without having mastered the previous ones, with the exception of the “two cards alone of Germany and Italy.” The proposed games are valid for a number of children greater than that usually found in a family, but expedients can be used such that it becomes possible even for only two children to play. The academy members think they can develop their proposals by extending them to other continents. In particular, a chess game using the two Americas would seem possible.


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3. Information about Tarocchi and other games
The aim of the authors of the book is to replace the games with which students spent their time without educational results with different games, focused on the goal of combining the game with scholastic information.

Now for us the useful path is exactly the opposite: to obtain some information on traditional games from the few references necessarily interspersed in this treatise. Unfortunately, the author states several times that he has never dedicated himself to these games and therefore we must be content with second-hand information on what interests us most: that is, information on the games in vogue in Sicily in the first half of the eighteenth century, for which we currently have very sparse evidence.

The worst part is that, instead, the same author dedicates many pages to the proposal of new games that could be played with cards or with other newly invented objects. It may be that these also reflect the customs of the time and that they would be of some interest to historians of board games or children's games.

As far as this study is concerned, I intend to focus only on the few pieces of information we find on card games. First of all on tarocchi, because for information on these the date of 1737 is very early.

We obtain some interesting information about tarocchi. The first is the confirmation that in Sicily the complete deck of 78 cards was still used, probably corresponding to type I of the IPCS Pattern Sheets [the earlier of their two patterns for “Sicilian Tarot”]. [note 6] Unfortunately, a comparison of the traditional figures with those substituting in this book does not appear promising: trying to find a correspondence of meanings immediately appears to be a useless effort. However, we have confirmation that there were twenty numbered cards, while the Fugitive and Poverty (still with that name, possibly corresponding to a number zero in the tarocchi, the lowest of all) were without a number. A significant detail concerns the names of the court cards of the four suits. While for the King and the Knight there are no alternatives, the remaining two courts have names that do not seem well-defined.

The Jack [or Page: Italian Fante] is always the minor card, but it is sometimes called the Woman [la Donna], and this alternative is known to historians, who generally explain it by the clearly female figures present on the same cards. This is not unusual if the Sicilian tarocchi cards in fact derived from the Florentine ones, possibly through the Genoese variant of ganellini or gallerini. In my opinion (which could be considered simple parochialism), the Florentine derivation of the Sicilian tarocchi is directly confirmed by the “Portuguese” model of those cards ‒ a term that I would willingly translate as “Florentine,” because I do not see any early cultural passage in the direction of Lisbon-Florence.

The newest term, at least to my knowledge, is that of “Count,” attributed to the figure added to the common deck to transform it into a tarocchi deck. It is clear that calling it “Woman” would have confused it with the Jack, but if on the card you see a female figure with a crown, it is not clear why not call it Queen directly, unless she was painted with a beard and mustache. And in fact the author will call her Queen when he returns to the theme a second time.

In addition to tarocchi, there are also other card games, and not only them. The ordinary deck of playing cards is implicitly indicated as being composed of 40 or 48 cards, which corresponds to what we know for the decks used mainly in Italy and Spain respectively.

The first card game we encounter is Ombre, but in this case the author's lack of knowledge is evident. In fact, it is a game with more rules than average, and instead it is cited as a simple game of tricks only, so much so that it is compared with the new cards that would allow not only to count those won but also to assert in some way the proximity and borders of the various countries.
For example: when playing, as they call it, at Ombre, to take into account not who makes the most tricks, but to see who can collect in their tricks the most neighboring lands,
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6. https://i-p-c-s.org/pattern/ps-12.html

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or something similar, as they do in that gamble they call Stucci. I, to tell it as I have it, do not want to get involved in finding pacts [agreed-upon rules] on [common] Cards and Tarocchi, which, almost by instinct, since childhood I have held in contempt; therefore, I defer to those who have more talent and less worry. (p. 41)
To find out more about the “gamble” called Stucci, one should perhaps look more closely at Sicilian literature. In Italian, the term stucci has several meanings, extraordinarily different and uncommon, but if you exclude the technical terms in the scientific field, it simply remains astucci [from astuccio, small box, case, pouch]. I looked for information on a compatible use of it and found it . . . in Trieste, not exactly in the immediate vicinity of Noto. I report it in full, in the belief that the Sicilian one was substantially similar, even if probably organized in a slightly simpler way.
1812. In this year the extraction from lottery was introduced in Trieste for the first time. The large hall of the redoubt was designated for this function. At the back of the hall a stage, or flying or removable railing, was erected. Each extraction was presided over by the Intendant of the province of Trieste, the Magistrate appointed by the General Commissioner of Justice, the Commissioner of Police, the General Director of the lottery, and the General Secretary of the Directorate. The latter drew up the minutes and signed them after the officials mentioned above. The extraction was then carried out using two Wheels of fortune placed at the two ends of the long table, in front of which were placed the officials named above. The said wheels were empty and covered with glass in such a way that the motion and the movements made internally by the little boxes [stucci] of cardboard containing the respective numbers could be seen. Into one of these wheels, 90 of the aforementioned little boxes [stucci] of cardboard, uniform in every way, were thrown one by one by a child, after being weighed in the presence of the public. These little boxes [stucci], after being shaken vigorously, the wheel moving around with several turns and turns again, were withdrawn by the hand of another child, and into each of them was introduced a small square piece of tissue paper with the inscription on both sides of one of the 90 numbers of the lottery, this being shown beforehand each time to the public, and proclaimed aloud by the auctioneer. A third child threw these same boxes [stucci], one by one, into the second wheel, in which they were again mixed with great turns and turns again after the introduction of every ten boxes [stucci]. A fourth child, with his eyes blindfolded and a gloved hand, then extracted a box [uno astuccio], which was opened by the President; he extracted the sheet enclosed within, unfolded it, read the number written on it, and proclaimed it to be the first number drawn; and the crier repeated the number in a loud and intelligible voice, showing the piece of paper to the public. The extraction of the four other numbers was repeated with the same formality, after several turns and turns again of the wheel repeated at each extraction of a number, which was interspersed with a performance from the band of the national militia. [note 7]
For other games, we are more fortunate, because in the dialogs between academy members that the author reports, there are also requests for information about them, with some answers. Generally speaking, what we read falls within the general framework that is quite well known, but some names and details are of considerable interest.

Continuing to read, after the quote from Ombre, one comes across the game of Gabella [Excise tax], which only with lupin beans in play, as here, would seem suitable for young students.
I do not know the game of Gabella [Excise Tax], resumed the Vulgar, please explain it to me with the example of ordinary Cards, and then we will do it your way, my dear Sig. Taciturn. And he: Let two urns be deposited, placed empty at the beginning: one is for the common lot, the other is for the Excise-man; Then the game is announced in the form of an auction, until the Ace of Cups comes out, for example, or another card chosen before the announcement, which serves as a substitute for the [more usual] extinction of the candle. And finally, the contract will be awarded to whoever offers the most, e.g. to Tizio for 80 lupin beans. So Tizio the Contractor, or we want to say Excise-man, takes the cards in his hand, offers one to each Player; then the First Player will ask the Excise-man for three, four, or five cards, as many as he likes, and deposits in the urn of the common lot
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7. G. Mainati, Croniche ossia memorie sacro-profane di Trieste, Tomo Sesto, Venice, 1818, pp. 76-77; https://www.google.it/books/edition/Cro ... frontcover

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as many lupins as he wants of cards. With these new cards that he buys, and with the one he had, he draws to make 31. And if he is lucky enough to do it right, he will win what is found in the urn of the common lot, and will demand the 80 lupins offered for the Contract by the Excise-man, and thus the game will end. But if he makes a number greater than 31 or less than 24, he will pay the Excise-man as many lupins as the points he is away. If the entire round of Players finishes without making 31, the one with the best [highest] point between 24 and 31 will take the Deposit of the common Lot. And the game continues another time, until 31 is made to take the 80 lupins of the Contract. This is a commonly known Rubric. (p. 65)
Definitely more interesting and suitable is the game of Calabrache, which is a fairly well-known precursor of Scopa and had already been mentioned in Aretino’s Le Carte parlanti, and also the variant of Smidollarsi (never found before, not only the name, but the variant itself).
In the game of Calabrache it is usually arranged that with a seven I can take from the cards another 7 exposed, and in lack, I can take a 4 and a 3 etc. Now wouldn't a similar game be better, which is called Smidollarsi [usual meaning: to lose one’s strength]? This goes with the same conditions as Calabrache, if differing only in that one does not take the same number but a bordering one, for example; with a 7 one takes either the Queen or the 6; with a 5 one takes the 6 or the 4; with the Ace one takes either the 2 or the King. We will now say that finding myself with the card of the Swiss in my hand, for example, without regard to the number I can take either Lombardy, or Burgundy, or Alsace, or Swabia, or Austria, and so on, that is, one of the Provinces bordering the same Swiss. (p. 67)
As can be read, one can learn a completely forgotten game here (A smidollarsi [usual meaning: to lose one’s strength]). A significant detail is also the value of 8 assigned to the Queen. If the term “Woman” [Donna] had been used as a synonym for Queen, in the manner of chess, it could have indicated a lack of acceptance for the card with the value 9, the most common in other regions (but on this ranking of the two lower court cards there are variations even today, even from one Tuscan city to another), but here there is no deviation and no error: the Queen was not present in the deck with Italian suits, and this Queen was the Jack, even in the common deck.

In the next attempt to use the playing cards, up to including all 78 tarocchi cards, the subdivision is different from the first, because while the first was based on the number of 40 cards of the common deck, the second adopts that of 48, reasonably hinting at the fact that with that it would certainly not be difficult to choose to play using only the 40 necessary for the game in question.

4. Conclusion


A Sicilian book from 1737 was presented in which are reported the attempts of two members of the Accademia dei Trasformati of Noto (Syracuse [province]) to replace the traditional games of the students with newly invented games in which elementary and then advanced notions of geography are administered. The aim is to teach geography (but other possible subjects are also mentioned) while the students are playing. For us this attempt is interesting in itself, and even more so for the information on tarocchi and other traditional games that are interspersed in the description. For the tarocchi, the most significant data is the date of the book, because it is one of the first testimonies on Sicilian tarocchi.


Florence, 21.10.2024