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Re: Petrarca Trionfi poem motifs in early Trionfi decks

Ziegler also notes that around the same time a different representation schema was being used to illustrate the Triumphs in France. Marie Jacob identifies with the miniature in the Codex Cod. Gall. 14 (Fol.1r) of the Bavarian State Library another French special solution from around 1450: JACOB 200...

Re: Petrarca Trionfi poem motifs in early Trionfi decks

Great work, Mike! I think these three witnesses alone are not enough to establish what the original text might be, although U.07.24 clearly has priority, but must be itself a copy. Robertet has the vincits (Nathaniel's term is great), but neither U.07.24 nor Molinet does. This could be the choice of...

Re: Petrarca Trionfi poem motifs in early Trionfi decks

Now Pudicizia: Pudicita capitulum unum Arma pudicicie superando cupidinis arcum, Hic dominum calcant, et sua tela premunt. Nec pingui Cipro, nec molli floribus Yda, In Cerere et Theti suppeditatur amor. Arma Pudicicie superando Cupidinis arcum Et dominum calcant, et sua membra premunt. Nec pingui C...

Re: Petrarca Trionfi poem motifs in early Trionfi decks

Thanks for the links, Ross. Aren't Francois's Rondeaux on pp. 473-479 of Douglas/Zsuppan's Critical Edition? He didn't write any Latin quatrains that I have heard of. Ah yes, thank you! I had overlooked Douglas' transcription. Well, that takes care of François Robertet. So there are three versions ...

Re: Petrarca Trionfi poem motifs in early Trionfi decks

The versions of Jean Molinet (1425-1507), Jean Robertet's contemporary, should be added to this collection of the Latin quatrains and their French versifications. Noël Dupire, ed., Les Faictz et Dictz de Jean Molinet , 1937, pp. 584-587. https://archive.org/details/LesFaictzEtDictzTome2/page/n171/mo...

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