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Re: Petrarca Trionfi poem motifs in early Trionfi decks

Cohen says that both Pesaro mss. were made for Borso. The one I am referring to is the one now in Vienna. I still do not know why she says that the 1459 was made for Borso. You're right, she does say that; I overlooked the Borso part in her description of the ÖNB ms. I'm not sure why she wrote that...

Re: Petrarca Trionfi poem motifs in early Trionfi decks

I should perhaps also note—even though I think I have already said this before in this thread—that when I say that someone thought that "the Robertet-style Eternity looked more like Fame than Eternity", I think it is likely that the Eternity image they were looking at did not look exactly ...

Re: Petrarca Trionfi poem motifs in early Trionfi decks

I don't really want to get back into this discussion fully, as I am still nowhere near the point of being able to present my arguments in full detail. But there are a few observations that I can quickly make in reply to Mike's last post here. The ms made in Pesaro in 1459 is not the one done for Bor...

Re: Petrarca Trionfi poem motifs in early Trionfi decks

It seems to me that a second Chariot would be confusing to the players, especially if there was no clear differentiation in gender. Indeed. They would have been distinguished primarily by the attributes they were holding, attributes that would not have meant much to those who did not have an unders...

Re: Petrarca Trionfi poem motifs in early Trionfi decks

I think I'm done with this discussion now. I said at the beginning that I was doubtful of the merits of attempting to present a complex argument in an abbreviated form, without laying out all the evidence in full detail, and the responses here seem to vindicate my doubts. Ultimately I will, I hope, ...

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