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Re: Petrarca Trionfi poem motifs in early Trionfi decks

Well, I have nothing to add, Phaeded. I want to continue with Ziegler. My general purpose is to see whether he has anything to say that might shed light on the sources of the Robertet Triumphs. After the six comes the Wheel of Fortune. While not a Petrarchan triumph, it is a tarot subject, hence of ...

Florence 1814: Restoration, also for playing cards, p. 5

CONTINUED FROM PREVIOUS TWO POSTS, TRANSLATION OF https://naibi.net/A/FI1814.pdf. Now p. 5; endnotes on his p. 6 appear as footnotes on bottom of appropriate page, here and in the other two posts) 5 1. One representing a medallion with a half-bust and inscription at the bottom Pelican----No. 1 2. As...

Florence 1814: Restoration, also for playing cards, pp. 3-4

CONTINUED FROM PREVIOUS POST, TRANSLATION OF https://naibi.net/A/FI1814.pdf, now with pp. 3-4. 3 Once said Figures have been printed, he [each manufacturer] can take them to his own factory to be colored according to the model (Note 10) that will be given to him by the Office, but before this, the n...

Florence 1814: Restoration, also for playing cards, pp. 1-2

Now I am posting a translation of another of Franco's essays, this one posted January 2, 2024, at https://naibi.net/A/FI1814.pdf). I undertook it before the rest of the 2023 pieces because it continues the narrative from the preceding essays already translated above, in particular from the reform of...

Re: Petrarca Trionfi poem motifs in early Trionfi decks

Sorry for the late reply, Phaeded. My available time has been devoted to Franco's latest posts on naibi.net. But at the moment my email isn't working properly, our main means of communication. But THF is. It seems to me that the minchiate angel is offering the viewer a choice - the arrow of death or...

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